My creatures are taken out from the context they belong, and are trapped inside an empty cage bounded by the limiting lines; This generally refers to the situation of the mankind in the society -the norms have been made to helps us feel secure but they transform us inevitably; we have to accept odd -and sometimes grotesquebehaviors which are not ours and we suddenly happen to be a collage of an odd being. The metamorphosis here is tried to be shown through the textures which represent the emotional experiences of the subjects. I started this series of work with paintings and drawings of dogs and they have been chosen because they seemed as the most repressed creatures to me. Then during the process another parts of other animals happened to be added to these bodies. Sometimes the inner pressure deformed the frame of works and other times the lines transformed to the most invisible ones; the frame of the paper itself… 

Ancient Iranian paintings and its odd creatures have been inspired me, such as those of Mohammad Siah- Qalam (15th century) or the creatures which can be found in Medieval paintings. I have been studying on the Goul/ Div motif in Iranian paintings recently and that’s how the Demons series have been created. 

Working with the same technique and material have never been my concern or obsession, I’m just trying to explore all the opportunities which can help me get inside my head.